In my review of Mama,
I mentioned, for a horror movie, it wasn’t that scary because of strange,
distracting choices. I previously made a video entitled “How to close a scary closet door” which highlights one such situation.
Before this shot, Annabel approaches the closet door and one
of the girls says, “Don’t open it.” “Why? What’s in the closet?” After a pause,
the little girl responds with a quiet, “Nothing.” We all know the monster is in the closet. If Annabel opens
it, two things could happen: the monster won’t be there or the monster will
appear suddenly and scare everyone. But Annabel has no reason other than
curiosity to open it and up to this point she hasn’t been characterized as
inquisitive. She came into the room to close the door and tuck the kids into
bed so I had no reason to suspect that she would open it. If we expect her to
close the door, what could possibly happen? The monster wouldn’t come out.
Why
then does the movie include the scary music? I feel like it would’ve been more
effective to play the music with her opening the door to see an empty closet.
Granted, this has been done before but that doesn’t mean it wouldn’t be
effective
Here is another more minor example of timing. Consider this clip where Annabel wakes up from a dream to be startled by the child. The first clip is from the movie, the second clip was the
result of a slight edit of mine. Now, don’t get me wrong, I don’t have that
much film making experience but I feel like the second one is slightly scarier.
Let me explain.
The idea of this scene is pretty basic; Annabel opens her eyes
and jumps when she sees the creepy kid staring at her. The stab (the sudden
sound) is, of course, the most important part. It wasn’t until this scene in Mama that I considered the significance
of the placement of this sound.
In the first clip, the actions are ordered like this:
Annabel opens her eyes, the stab starts, cut other camera, the stab fades,
Annabel jumps. The stab itself lasts for about a second, partially when Annabel
opens her eyes and mostly when we see the child. The suspense is, in part,
‘what is she looking at?’
In the second clip, I removed the bit where she opens her
eyes. Why? It was a question of timing and movement. Her eyes opening broke the
ice in terms of movement. The stab occurred and I linked it more closely with
her eyes because that was the initial point of interest. Annabel’s recoil feels
slightly too late to match the cut to the girl and for the stab. We don’t need
to actually see her eyes opening to understand why she jumps. She is jumping
with us which, I argue, gets the audience more involved.
One might say that both clips are equally scary but to are geared towards different
audiences. The first clip is suspenseful because she opens her eyes, we hear
the sound and then wonder,” What is she looking at?!” The second clip puts the
emphasis on the cut and surprise of seeing the creepy kid standing there. If
you don’t find the kid creepy, then it won't work.
Which do you think is scarier?
I mean “scarier” in a loose sense. Neither clips are actually scary per se,
especially if you expect them to be but, hypothetically, if you were to see
them in a movie theater, which do you think would be most effective? Please do
leave a comment because I’d love to hear what you think. Thanks for reading and
watching!
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