Directed by F. Gary
Gray. Written by Ice Cube and DJ Pooh. Starring Ice Cube (Craig Jones),
Chris Tucker (Smokey), Nia Long (Debbie), and Tommy ‘Tiny’ Lister (Deebo).
Bottomline: It wasn’t
particularly funny but it feels like it captured a moment in 1995.
1/4
I remember, when I was
six, a friend of mine (also age six) saw Friday. He loved it. He would
reference it all the time and I never got any of it. It was so frustrating
because I didn’t particularly want to see it but I wanted understand what he
was referencing. It was like South Park. I never watched it when I was
little but most of my schoolmates did. Every, what day was it, Thursday (the
day after a new episode came out) I could expect to be left out of the first
half of the lunchroom conversation. Anyway, by golly, it only took nearly
twenty years but now I get the references to Friday. And let me tell you
it was worth it. </sarcasm>
It is Friday in
Oakland, CA. Craig (Ice Cube) recently lost his job. He is hanging out at home
with his drug dealing, pothead friend, aptly named Smokey. The local drug
dealer, Big Worm, gave Smokey two hundred dollars worth of weed to sell.
Instead of selling it, Smokey, well smoked it. He gets Craig involved somehow
and now they need to get money or they will be shot. That’s pretty much it,
plot-wise. There are some other characters like the neighborhood bully, Deebo
(Lister), but they aren’t anything really worth mentioning.
The humor in Friday
varies in subject from crude fart jokes to jokes about obese people. At one
point, Smokey tells the “hilarious” story about how he smoked weed with a
couple Hispanic gangsters only to find out it was laced with cocaine. It feels
like they tried to make the banter between Craig and Smokey a main source of
humor but it doesn’t really work. When that delivery actually works, it’s great
(consider the beginning of This is the End) but here the conversation
feels awkward and forced.
Ice Cube’s acting can
be described as a complex series of snarls. You have the one that says,
“Sheesh, I’m frustrated” and another that says, “Man, what an inconvenience!”
Chris Tucker plays Smokey as if he was preparing to be Ruby Rap in The Fifth
Element; he jumps around and yells like he’s hyped on caffeine all while
being smooth as butter (or so he thinks). I think because he reminded me of
Ruby, he was the only thing that made this movie reasonably palatable (which is
saying something because I usually don’t like goofy, silly characters).
Would I ever recommend
this movie? No way. I’am glad I saw it just to cross it off the things to do
before I die list. For those of you who are wondering, Next Friday (the
sequel to Friday), is painfully awful. I couldn’t get further than
fifteen or twenty minutes. Craig moves neighborhood because the neighborhood
bully broke out of prison and is looking for Craig. They couldn’t even get
Smokey in the movie (“he went to rehab”) so they invented a slew of cartoon
characters I couldn’t care less about. Blah. Just thinking about it gives me
headache.
An acquaintance of
mine grew up in a rougher part of Philadelphia. One day, he explained to me why
he likes those Tyler Perry comedies. They resonate with him having grown up in
an African American household and neighborhood. I have a feeling that Friday
serves the same purpose. I can only relate- well, I can’t relate to it. I
am closer to Mapleton Drive than the world
parodied by Friday. The only way I can really orient myself is through
documentaries and serious films about life in the ghetto. For example, I
remember seeing the crack-head character in Menace II Society and there
is one in Friday named Ezal (Johnson). At one point, Craig and Smokey
are the targets of a drive-by. In a movie like Menace II Society, such a
thing would be tragic but, in Friday, it’s an inconvenience.
In my IT work, I’m
often sitting with a client at his or her computer waiting for it to load. What
do you do in those situations? Small talk. I will sometimes ask them how
egregiously Hollywood warps his or her profession. Being into computers, my
eyes roll every time I hear “hack the Gibson” or “enhance” or <insert any
line from Live Free or Die Hard>. For another example, what show or
movie most accurately depicts the field of medicine? Repeatedly, the answer I
receive is Scrubs. Now, being a blonde, white, middle class male (and
German to boot), I am struggling to come up with a phrasing that doesn’t come
across as racist but Friday makes me wonder what one would say in terms
of the cinematic representation of life in the ghetto. Is the reality closer to
Menace II Society or Friday? Note that I am using these two films
as different ends of the spectrum. I’m thinking that reality falls closer to Menace
II Society but asking a question like this opens up a can of philosophical
worms. In part, it comes down to a question of authenticity. What does it mean
to represent life in general (not just in the ghetto) “correctly”? Is it even
possible? Considering Menace II Society and Friday, what is the
purpose of each of these representations? Does the purpose affect the
representation? In other words, what are the implications of a film being a
comedy versus a comment on society? These are all interesting questions
but I’ll save them for later. In the meantime, what do you think?
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